After drive ed im still bad yahoo answer

#AFTER DRIVE ED IM STILL BAD YAHOO ANSWER FULL#

Among other things, Tosey said this about Level III:ДЄt LIII Bateson and BatesonвЂ™s (1998) conception of the sacred becomes important. I strongly suspect that a better answer than the Yahoo Answers is that Rimbaud touched upon BatesonвЂ™s вЂњLevel IIIвЂќ of learning as described by Paul Tosey. One theme that recurs in my life is this article on (Gregory) BatesonвЂ™s three levels of learning. I quote this initial passage out of order as I have broken it down for a purpose which should become clear momentarily.) Rimbaud and BatesonвЂ™s Levels of Learning

(I am taking so much from the New York Times piece that it borders on copyright infringement, but do keep in mind that I am doing so for the permitted purpose of critique and review.

вЂњвЂ¦his scornful and unhesitating permanent abandonment of poetry at the age of 20.вЂќ.

вЂњвЂ¦the anecdotes of his contemporaries showing him as a drunken, filthy, amoral homosexualteenager who becomes a reserved, hard-working, responsible and respectable (if misanthropic and disgust-ridden) adult merchant and explorer.вЂќ.

вЂњNumerous writers have sought to demonstrate their qualifications along these lines by publishing studies of him.вЂќ.

#AFTER DRIVE ED IM STILL BAD YAHOO ANSWER FULL#

вЂњOne would have to be a genius oneself to grasp the full significance of Arthur Rimbaud, or at least have the ability to hold many opposed ideas in oneвЂ™s mind at the same time and still function fully.вЂќ.RimbaudвЂ™s work is a challenging topic, and Richard HellвЂ™s New York Times piece on RimbaudВ does well to note those challenges before wading into the mists where others have wandered. But the point is a good one: writing poetry but being unable to make a living can make one permanently abandon the gift in favor of the boring but more lucrative life of a merchant. That answer goes on to say вЂњHe goes on to say вЂ tough luck to the wood that wants to be a violin.вЂ™ He s talking about nature and potential, and considering himself damned.вЂќ (Many sources translate this to вЂњtough luck to the wood that becomes a violin.вЂќ ThatвЂ™s an entirely different meaning, that leads toВ a rather similar conclusion, still painting the gift as a curse.) This seems closer to the truth, but probably still misses the mark. Remember Verlaine dubbed Rimbaud вЂthe accursed poet.вЂ™вЂќ is better. Even вЂњHe s referring to himself as the devil. I disagree with the selection of вЂњbest answerвЂќ (which reeks of psychobabble), and think the better answer is the more succint вЂњI was anotherвЂ¦ He felt like someone elseвЂ¦вЂќ Dissociation makes more sense than вЂњa journey of imagination and an aesthetic evolution of its ingredientsвЂќ (which sounds like pure, unadultered bullshit). I found this handful of answers on вЂњYahoo Answers.вЂќ His poetry, and particularly this enigmaВ вЂњJe est un autre,вЂќ has been the subject of a growing body of speculation and commentary. What did the phrase mean? And, why did he abandon poetry, given his gift? Rimbaud and Yahoo Answers His poetry became famous, arguably increasingly famous after his death, but he permanently abandoned poetry by age twenty and left France to pursue a (rather successful) career as a merchant and arms dealer in Africa.

French poet Arthur Rimbaud wrote it when he was sixteen years of age in the mid 1800вЂ™s. Are you familiar with the phrase вЂњJe est un autreвЂќ? In English, it translates to вЂњI is another,вЂќ and in French it is equally incorrect from a grammatical point of view.

After drive ed im still bad yahoo answer